THE ENTIRE UNIVERSE MOVES THROUGH IRREGULAR ANGLES IN A RISING WALL FROM AN ARCHITECTONIC CITY WITHOUT NAME OR PLACE OR TIME.
Wood and metal, 9x9x39’, 2021, MOAH Lancaster Permanent Collection and Permanent Display on Rooftop THE WALL TEMPLE AT THE VANISHING POINT
3 x 3 x 9.3’, Wood, 2021, MOAH Lancaster Permanent Collection and Permanent Display on Rooftop MANIFEST STRUCTURES FROM THE IMAGICAL: The Evolution of the Omegatropolis Through Four Seasons of Architechtonic Metamorphosis.
24x25’, 2021. MOAH Lancaster The Omegatropolis Bridge No. 9
2021, acrylic on wood, 120 x 96” George Billis Gallery LA The Castle Where the Moon Sleeps
Acrylic on wood, 2021, LAUNCH LA Cathedral Satellite Beacon on the Angular Topography of a Blue Moon
Acrylic on wood, 6x9x11”, Carnegie Art Museum Studio Gallery, 2020 Up Through and Around the Imaginal Watchtower
Wood, metal, acrylic varnish, 2.9 x 2.9 x 12’, 2022, The Hollywood Sculpture Garden TOTEM. LOSING GRAVITY IN THE ORBITING MEGATROPOLIS: geometric waves, vibrant fields and optic frequencies
Acrylic on wood, 8x11x96”
Installation view OC McNish Gallery, Oxnard College, 2017-2018 917 Angled Color Engineered Fem Electric Bridge, LOSING GRAVITY IN THE ORBITING MEGATROPOLIS:
geometric waves, vibrant fields and optic frequencies
Acrylic on wood and panel.8.4 x10', Installation view OC McNish Gallery, Oxnard College, 2019, 917 Angled Color Engineered Fem Electric Bridge, LOSING GRAVITY IN THE ORBITING MEGATROPOLIS:
geometric waves, vibrant fields and optic frequencies
Acrylic on wood and panel.8.4 x10', Installation view OC McNish Gallery, Oxnard College, 2019 The Authority of Color at the Speed of Light
Acrylic on wood, Diptych, 6x71x72”
Installation view, Carnegie Art Museum Studio Gallery, 2015-2019 The Authority of Color at the Speed of Light
Acrylic on wood, Diptych, 6x71x72”
Installation view, Carnegie Art Museum Studio Gallery, 2015-2019 THAT DISCRETE ALLURE OF ARCHITECTONIC DISPERSION
Acrylic on Bristol board, 6”x 8”
Installation view, Durden and Ray Gallery, 2019 INSIDE OUT
Acrylic on wood, 3x12x13”, 2016 RED EARTHQUAKE LAND
Triptych, Acrylic on wood panel, 4x50x56", 2008 A CITY OF ARCHITECTONIC METAMORPHOSIS FOR THE COMMON ERA
Fragment , Solo Exhibit, Maki Masaru Fine Arts Gallery, Tokyo , 2017 THE COLOR ENVISIONED CITY OF ARCHETECHTONIA RISES ABOVE AND BELOW THE HORIZON
Acrylic on ACM, 24" x 96", Quadriptych, 2013 LOSING GRAVITY IN THE ORBITING MEGATROPOLIS:
geometric waves, vibrant fields and optic frequencies
Solo Exhibit, Installation view,
OC McNish Gallery, Oxnard College, January 2019 Escape From Retrograde Through a Shape Shifting Space Elevator With Abstract Quantum Enhancements
Acrylic on wood, 8x11x96
Installation view, Carnegie Art Museum, Studio Gallery, 2020 Untitled
Acrylic on wood panel, 6x15x95x130”
Long Beach Museum of Art Permanent collection, 2002 LOSING GRAVITY IN THE ORBITING MEGATROPOLIS:
geometric waves, vibrant fields and optic frequencies
Installation view, Yucca Valley Visual & Performing Arts Center, 2019 481 Degrees Of Archaeological Genesis In The Primordial Oceans Of Yonaguni
Installation view, Maki Masaru Fine Arts Gallery, Tokyo, 2017 LOSING GRAVITY IN THE ORBITING MEGATROPOLIS:
geometric waves, vibrant fields and optic frequencies
Installation view, Hudson Valley MOCA New York, 2019 LOSING GRAVITY IN THE ORBITING MEGATROPOLIS:
geometric waves, vibrant fields and optic frequencies
Installation view, Tufenkian Fine Arts Gallery, 2019-2020